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“I think we were quick obnoxious,” Rodgers mused. Remixes followed, as did a wonderful response from the public. “I had a lot stewing in my mind and the words were coming out as poetry, and then I kind of worked them around and put them into this song.” Meanwhile, the rest of the band came up with the music, with keyboardist Paul Turrell, who passed away last year, playing an instrumental role in how Bôa arranged this and other pieces.
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Although Rodgers is careful to note that one’s analysis of the song can be as authentic as any others, she explained that “it’s about expectation and hope and maybe, at the time, about relying on other people.” Serial Experiments Lain, too, is anchored in hope (a theme easily missed in a dark series) and revolves around communication and the relationships we develop.įor Rodgers, writing the song was cathartic.
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The themes of the song and series also seem to cross over. There’s depth in both (“I think people who like things like Lain have got deep souls”). But perhaps that’s why it works so well-the song is unexpected, just as the series is, and undeniably thoughtful and poetic. “Lain was a happy coincidence, I think,” says Rodgers it was also a different experience from her other work in anime, having been selected and not written particularly for the show, as opposed to Armitage: Dual-Matrix, for which Rodgers specifically wrote songs.Īt first listen, though, “Duvet” seems a strange fit-an alternative, indie song about relationships sung over animated scenery of an adolescent, cyberpunk, sci-fi story. A connection was made between the band and Yoshitoshi ABe, and “Duvet” was selected as the series opening. But Bôa was able to make a transition by reaching out to Polystar, a Japanese record label, who signed the group.
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Jasmine and her brother Steve, also a member of Bôa, are children of Paul Rodgers, the lead singer of famed rock bands, Free and Bad Company. Although Bôa’s lead singer, Jasmine Rodgers, is half-Japanese, she only speaks the language a “really little bit.” The band is British, and its roots are fairly deep in the rock scene there. The song made its way to Lain through a winding path. With its introspective lyrics and an alternative rock sound that was more reminiscent of Natalie Merchant or The Cranberries than anything one would expect from an anime, and layered on top of mesmerizing opening visuals, “Duvet” is now cemented as a classic of anime music. The opening song-”Duvet” by Bôa-was as startling and addictive as the rest of the series.
The storyline, character designs, and themes remain ripe for revisiting, and so, too, is its music. Twenty years later, anime fans are still deconstructing it (we’re doing our own series of posts on the show to celebrate its anniversary). Serial Experiments Lain, with its vision of a world where the lines between the digital realm and real world blurred and blended into one, was a groundbreaking series.